Joan Hannington’s incredible journey challenges viewers to reflect on their own lives. How does one rise from a loveless childhood and an abusive marriage to become a successful jewel thief, ultimately earning the title of the Godmother in the criminal underworld? While most of us struggle with daily routines, Joan’s story is nothing short of extraordinary.

Originally shared in her 2002 autobiography, I Am What I Am (later rebranded as Joan), this six-part drama brings her life to the screen. While it primarily serves as a crime caper, the adaptation effectively captures Joan’s need to support her daughter, Kelly (Mia Millichamp-Long), allowing for an emotional connection throughout the narrative. The glimmering stolen jewelry adds a layer of allure, setting the stage in the greed-fueled 1980s, a decade known for its extravagant lifestyles.

The series opens with Joan (played by Sophie Turner of Game of Thrones fame) in a luxurious hotel suite, adorned in designer clothes and lavish gems. Her back bears scars from childhood trauma, yet she radiates confidence, styling herself with a red wig and more furs than Sansa Stark. This glamorous entrance highlights how far she has come in a short time.

The pace quickens as Joan escapes her violent boyfriend, Gary, while dodging menacing thugs and police eager to pressure her for information. To protect her daughter, she places Kelly in care, promising to reclaim her once stability is achieved. Desperate, Joan turns to her sister, Nancy (Kirsty J Curtis), who reluctantly offers her a place to stay and a job in her hair salon—with one condition: “None of your bloody chaos.”

Chaos, of course, ensues. Joan soon finds herself at a jeweler’s shop owned by the unscrupulous Bernard (Alex Blake), who engages in dubious practices that force her to flee—this time, pocketing a handful of loose diamonds. One can’t help but ponder how many stories would unfold if men learned to behave and keep their hands to themselves.

A chance meeting with a shady antiques dealer, Boisie (Frank Dillane), leads Joan into a new world of crime. What starts as “just one job” quickly spirals into a lucrative venture, fueled by Joan’s determination and the underestimation of her capabilities by those around her. Her intelligence and daring nature set her on a path toward respect and success, despite society’s disdain.

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This captivating series masterfully intertwines the genuine fears and heartaches behind Joan’s audacity with the thrill and glamour of her escapades. Turner’s portrayal ensures the audience remains connected to the anxious mother beneath the criminal exterior, highlighting the desperation that drives her.

As the second episode concludes, cracks in Joan’s resolve begin to appear. She declares her commitment to Boisie, both personally and professionally, believing this will validate her to the social elite. While this bold declaration adds complexity, it raises questions about the character’s development and choices, particularly regarding her reliance on social services for her daughter.

Though the script is straightforward, the talented cast—featuring Gershwyn Eustache Jr. as Albie, Boisie’s endearingly menacing friend—delivers solid performances, providing an entertaining blend of escapism and suspense. This engaging drama promises to be an enjoyable watch for those cozy autumn evenings.